- The City of Bardejov was registred on the World Heritage List in 2000. What has been the impact of this nomination for your city?
Two hills form the 37 ha site on the Southern Anatolian Plateau. The taller eastern mound contains eighteen levels of Neolithic occupation between 7400 bc and 6200 bc, including wall paintings, reliefs, sculptures and other symbolic and artistic features. Together they testify to the evolution of social organization and cultural practices as humans adapted to a sedentary life. The western mound shows the evolution of cultural practices in the Chalcolithic period, from 6200 bc to 5200 bc. Çatalhöyük provides important evidence of the transition from settled villages to urban agglomeration, which was maintained in the same location for over 2,000 years. It features a unique streetless settlement of houses clustered back to back with roof access into the buildings.
Criterion (iii): Çatalhöyük provides a unique testimony to a moment of the Neolithic, in which the first agrarian settlements were established in central Anatolia and developed over centuries from villages to urban centres, largely based on egalitarian principles. The early principles of these settlements have been well preserved through the abandonment of the site for several millennia. These principles can be read in the urban plan, architectural structures, wall paintings and burial evidence. The stratigraphy of up to 18 settlement layers provides an exceptional testimony to the gradual development, re-shaping and expansion of the settlement.
Criterion (iv): The house clusters of Çatalhöyük, characterized by their streetless neighbourhoods, dwellings with roof access, and house types representing a highly circumscribed distribution of activity areas and features according to a clear spatial order aligned on cardinal directions, form an outstanding settlement type of the Neolithic period. The comparable sizes of the dwellings throughout the city illustrate an early type of urban layout based on community and egalitarian ideals.
Tabriz has been a place of cultural exchange since antiquity and its historic bazaar complex is one of the most important commercial centres on the Silk Road. Tabriz Historic Bazaar Complex consists of a series of interconnected, covered, brick structures, buildings, and enclosed spaces for different functions. Tabriz and its Bazaar were already prosperous and famous in the 13th century, when the town, in the province of Eastern Azerbaijan, became the capital city of the Safavid kingdom. The city lost its status as capital in the 16th century, but remained important as a commercial hub until the end of the 18th century, with the expansion of Ottoman power. It is one of the most complete examples of the traditional commercial and cultural system of Iran.
Criterion (ii): Tabriz Historic Bazaar Complex was one of the most important international trade and cultural centres in Asia and the world between the 12th and the 18th centuries, thanks to the centuries-old east-west trade routes. Tabriz Bazaar is an exceptional example of an architectural-urban commercial area, which is reflected in its highly varied and integrated architectural buildings and spaces. The bazaar is one of the most sustainable socio-economic structures, and its great complexity and articulation attests to the wealth in trade and cultural interaction of Tabriz.
Criterion (iii): Tabriz Historic Bazaar bears witness to one of the most complete socio-cultural and commercial complexes among bazaars. It is an exceptional physical, economic, social, political, and religious complex that bears an exceptional testimony to a civilization that is still living. Over the centuries, thanks to its strategic location and to wise policies of endowments and tax exemptions, Tabriz Bazaar has developed into a socio-economic and cultural system in which specialized architectural structures, functions, professions, and people from different cultures are integrated into a unique living environment.
Criterion (iv): Tabriz Historic Bazaar is an outstanding example of an integrated multi-functional urban complex in which interconnected architectural structures and spaces have been shaped by commercial activities and related necessities. A large number of specialized buildings and structures are concentrated and reciprocally connected in a relatively compact area to form what is almost a single integrated structure.
Built between the beginning of the 16th century and the end of the 18th century, this place of spiritual retreat in the Sufi tradition uses Iranian traditional architectural forms to maximize use of available space to accommodate a variety of functions (including a library, a mosque, a school, mausolea, a cistern, a hospital, kitchens, a bakery, and some offices). It incorporates a route to reach the shrine of the Sheikh divided into seven segments, which mirror the seven stages of Sufi mysticism, separated by eight gates, which represent the eight attitudes of Sufism. The ensemble includes well-preserved and richly ornamented facades and interiors, with a remarkable collection of antique artefacts. It constitutes a rare ensemble of elements of medieval Islamic architecture.
Criterion (i): The conception of the entire ensemble layout, the proportions of the internal and external spaces and of the buildings, their design and refined decoration, together with the climax created by the sequenced path to Sheikh Safi al-Din’s shrine, all combined, have concurred to create a unique complex in which aesthetics and spirituality are in a harmonious dialogue.
Criterion (ii): The architectural spaces and features of the nominated property have integrated influences of the Ilkhānid and Timurid periods with the religious message of Sufism and the taste for exquisite ornamentation and interior spaciousness, thus giving rise to fresh architectural and artistic forms.
Criterion (iv): The Sheikh Safi al-Din ensemble is a prototype and an outstanding example of a 16th century religious complex, combined with social, charitable, cultural, and educational functions, which contains all the significant elements that since came to characterize Safavid architecture and became a prototype for other khānegāh and shrines.