HERITAGE ISTANBUL 2017

HERITAGE ISTANBUL 2017

Restoration Archaeology Museum Technologies Fair & Conferences

                                                                  

Belo Horizonte

Registered Sector: 
Pampulha Modern Ensemble
Location and site: 

The Pampulha Modern Ensemble was the centre of a visionary garden city project created in 1940 at Belo Horizonte, the capital of Minas Gerais State. Designed around an artificial lake, this cultural and leisure centre included a casino, a ballroom, the Golf Yacht Club and the São Francisco de Assis church. The buildings were designed by architect Oscar Niemeyer, in collaboration with innovative artists. The Ensemble comprises bold forms that exploit the plastic potential of concrete, while fusing architecture, landscape design, sculpture and painting into a harmonious whole. It reflects the influence of local traditions, the Brazilian climate and natural surroundings on the principles of modern architecture.

Historical Function: 
Cultural
Administrative Status: 
Capital of Minas Gerais State
Historical Reference: 

Designed in 1940 around an artificial lake, the Pampulha ensemble, of four buildings set within landscaped grounds, was a centre for leisure and culture in the ‘garden city’ neighbourhood of Belo Horizonte, built as the new capital of Minas Gérais State.

Urban Morphology: 

The Casino, Ballroom, Golf Yacht Club and São Francisco De Assis Church, were designed by architect Oscar Niemeyer who, working in collaboration with engineer Joaquim Cardozo, and artists including Cândido Portinari, created bold forms that exploited the plastic potential of concrete, and integrated the plastic arts such as ceramics and sculpture. Landscape designer Roberto Burle Marx reinforced the links between the buildings and their natural landscapes through designed gardens and a circuit of walkable spaces to reflect a dialogue with nature that emphasized the buildings as special pictures mirrored in the lake.

Registration Criteria: 

Criterion (i): Niemeyer, Burle Marx and Portinari collectively delivered a landscape ensemble that as a whole is outstanding for the way it manifests a new fluid modern architectural language fused with the plastic arts and design, and one that interacts with its landscape context.

Criterion (ii): The Pampulha Modern Ensemble was linked to reciprocal influences between European and North America and the Latin American periphery and particularly to a poetic reaction to the perceived austerity of modern European architecture.

In establishing a synthesis between local regional practices and universal trends, as well as fostering dynamic links between architecture, landscape design and the plastic arts, Pampulha inaugurated a new direction in modern architecture which subsequently was used to assert new national identities in recently independent Latin American countries.

Criterion (iv): The Pampulha ensemble and its innovative architectural and landscape concepts reflects a particular stage in architectural history in South America, which in turn reflects wider socio-economic changes in society beyond the region. The economic crises of 1929 prompted demands for people to have greater inclusion in nation building. These circumstances influenced the design of the new garden city neighbourhood of Belo Horizonte as a place that could reflect creative and cultural ‘autonomy’ through innovative architectural buildings designed for public use, set in a designed ‘natural’ landscape, well endowed with public spaces for leisure and exercise.

Guadalajara

Registered Sector: 
Hospicio Cabañas, Guadalajara
Location and site: 

Located in Guadalajara in the central region of western Mexico, Hospicio Cabañas was founded at the beginning of the 19th century to provide care and shelter to the needy including orphans, elderly, handicapped and chronic invalids. Architect Manuel Tolsá, designed a predominantly Neoclassical complex on a monumental scale, covering 2.34 hectares. Despite its size, the hospice’s uniqueness relates primarily to the simplicity of its design, specifically its dimensions and the harmony achieved between the buildings and the outdoor spaces. The overall composition is formed by a rectangular plan measuring 164 metres by 145 metres and contains a complex of single-story buildings laid out around a series of twenty-three courtyards varying in size and characteristics.

Historical Function: 
Social
Administrative Status: 
Capital of the Mexican state of Jalisco
Historical Reference: 

The Hospicio Cabañas was built at the beginning of the 19th century to provide care and shelter for the disadvantaged – orphans, old people, the handicapped and chronic invalids. This remarkable complex, which incorporates several unusual features designed specifically to meet the needs of its occupants, was unique for its time. It is also notable for the harmonious relationship between the open and built spaces, the simplicity of its design, and its size. In the early 20th century, the chapel was decorated with a superb series of murals, now considered some of the masterpieces of Mexican art. They are the work of José Clemente Orozco, one of the greatest Mexican muralists of the period.

Urban Morphology: 

The hospice’s founder, Bishop Cabañas commissioned a design that responded to its social and economic requirements through an outstanding solution of great subtlety and humanity. The single-storey scale, covered passageways between buildings, and arcades traversing most courtyards focused on the comfort of its residents allowing them to move freely. The light and air provided by the open spaces were intended to promote healing. In addition, it was one of Bishop Cabañas’ objectives to educate residents through the learning of a trade. For example, the hospice’s corridors provided space for one of Guadalajara’s first printing press workshops and throughout the 19th century innumerable texts were published from this location.

The exception to the complex’s uniform height of 7.5 metres is found in along its central axis with the chapel and kitchen. The kitchen is topped by a saucer dome and small lantern. It is the chapel, however, that is the visually dominant feature of the hospice with its imposing dome rising 32.5 metres.

Registration Criteria: 

Criterion (i): The Hospicio Cabañas is a unique architectural complex designed to respond to social and economic requirements for housing the sick, the aged, orphans, and the needy with an outstanding solution of great subtlety and humanity. The murals painted in the chapel by José Clemente Orozco are considered great masterpieces of Mexican art.

Criterion (ii): The group of paintings in the chapel of the Hospicio, in particular the allegory El Hombre de Fuego (The Man of Fire) is considered to be one of the masterpieces of 20th century mural painting and had profound cultural influence beyond the American continent.

Criterion (iii): This is a unique building dedicated to public welfare assistance and speaks of the exceptional humanitarian spirit of its promoter and producer Bishop Juan Ruiz de Cabañas.

Criterion (iv): The Hospicio Cabañas is an outstanding work of renowned architect Manuel Tolsá, built predominantly in the Neoclassical style, that provided a completely different architectural solution to the conventional design of its time. The restriction of one level to facilitate movement of patients, large open spaces with natural lighting and ventilation to promote healing, and covered walkways between the different modules of the building, whose scale, covering 2.34 hectares, was at that time and still is today considered monumental.